Anna Sui, Badgley Mischka, Naeem Khan, and a Men’s Day at New York Fashion Week

Anna Sui, Badgley Mischka, Naeem Khan, and a Men’s Day at New York Fashion Week

New York Men’s Day

Online fashion week is very different to IRL fashion week. But one plus is the way in which designers are able create mini-films that push far past the bounds of traditional runway shows—as seen in the special section of the week devoted to men.

Wataru Tominaga’s collection was full of cheerful floral, whimsical patterns and gingham. Ka Wa Key made a gorgeous modern dance video that juxtaposed the openness of bucolic scenes and a feeling of claustrophobia in interior scenes, with models wearing alternating looks of tie dye and elaborate knits with a sculptural quality.

Fashion newcomer Stan immersed viewers in a world of hyper cool So-Cal surf nostalgia.  The new company is rooted in the idea of sustainability, and their debut collection is an array of vintage quilts repurposed into men’s jackets and long coats. Teddy Vonranson also picked up on the surfer aesthetic, using surfboards as background props for his collection that featured western-influenced chic men’s suiting complete with fringed jackets and sneakers.

Carter Young took on a markedly different thematic approach with an art-house style film, and Timo Weiland presented a collection of understated and yet brightly colored retro casual wear. Future Lovers of Tomorrow was one of the few brands that showed models wearing face masks, firmly rooting them in the present day. Keenkee was striking in its minimalism, both in their video and in the fashions which were a variety of loose fit men’s suiting and futuristic jackets and casual wear. Sarah Shears

Anna Sui

Probably nothing could stop Anna Sui, a NYFW perennial, from showing her eighty-forth collection at the event. So the neo-folk designer took her show, “Homespun,” online, for a down-home type virtual presentation. It opened with a close-up shot not of a floral embellishment or embroidery detail, but a damn delicious-looking pie. In her notes, Sui wrote she was inspired by the idea of “home,” which, go figure, she’s been spending a lot of time in lately.

What the locale means to her: “comfort, security, the smells of delectable meals and desserts being made with care.” So she opened with a close-up of a pie, with models posing in front of a cartoon prairie scene in easy-to-wear, waistless maxi dresses. She seemed to be pulling from all corners of the rustic aesthetic—some of the pieces looked like Laura Ashley comforters and Polly Pocket would not look out of character in a few of the ruffled tops. More modern accoutrements like face masks and bucket hats toughened the lineup, and made things just a little less cutesy—but only a little. Alaina Demopoulos

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